Martha Graham Dance Company principal dancer Xin Ying presents excerpts from her new work In the Folds of Her Purple, in partnership with Onassis ONX and PS21. An interdisciplinary artist, Ying explores the intersection of movement, technology, and digital legacy in her works. In the Folds of Her Purple draws inspiration from Martha Graham’s iconic solo Lamentation. Created with generative AI and volumetric film, the piece is not a recreation, but a response—a contemporary performance shaped by the living bodies who have stretched, trembled, and breathed inside her purple tube. Ying joins a moderated discussion and excerpts are performed.
Read MoreAs we kick off Earth Week, join Media Art Xploration and Onassis ONX for a salon exploring the life cycles of our urban environment. This evening features a conversation between artist Xin Liu and moderator Lumi Tan centered on Liu’s project, Botanical City.
Read Morenodes is the ongoing research and development showcase series by Artifice NYC. For its second edition, nodes:ii partners with Onassis ONX. This iteration introduces a living archival layer for creative practice: a way to retain how artifacts are shaped. Creative science sculpture, bio-art, sound, interactive media, and live activation. Unreleased work, prototypes, and working methods inside Onassis ONX.
Read MoreHow do artists working at the nexus of art and technology negotiate a means to make art in today’s creative economy? Join Ashley Lee Wong, the author of Ecologies of Artistic Practice: Rethinking Cultural Economies through Art and Technology (MIT Press, 2025), as she provides unique insights into the diverse creative and economic processes that shape the meaning and value of artworks.
Read MoreCraig Fahner and Elizabeth Henaff from NYU IDM in conversation with Onassis ONX members Idris Brewster, Matt McCorkle, and Modesto Flako Jimenez. The artists will each briefly introduce their work, followed by a moderated discussion on how their practice intersects with the Extra-Ordinary. Open discussion and Q&A with the audience to follow.
Read MoreJoin us at Onassis ONX for an exclusive event where the six Collider Fellowship at Lincoln Center resident artists unveil their latest research and prototypes developed thus far during their Collider residency. Experience firsthand the creative ideations and artistic processes behind their work as they share excerpts and insights into their craft. Guests are welcome to arrive, depart, and return at any time through the evening. There will be a brief check-in at the door.
Read More¡Harken! is an immersive reimagining of the fragmented history of Juan Rodriguez, New York’s first immigrant, where his ghost enlists ChatGPT, audience prompts, and generative AI to rewrite his colonizer-distorted story in realtime. Presented by Onassis ONX on January 17-18, 2026 as part of the Under the Radar Festival, there will also be a salon each day alongside the performance. Tickets available now!
Read MoreTECHNE HOMECOMING traces the ways identity and kinship take shape through biological, mythological, and digital bonds. Across six installations and immersive activations, the exhibition opens the new Onassis ONX home in downtown Manhattan as a living network and a space for experimentation, gathering, and shared imagination. Running from January 9-18, 2026.
Read MoreThis live theater and immersive media experience from Graham Sack explores the relationship between family, memory, and technology. Part elegy, part biometric séance, the work uses interactive technology, video, and sound to link performers and audience members to a digital phantasm—a distortion in the fabric of the universe—asking whether memory itself might be a signal traveling through time, seeking someone to receive it. Presented by Onassis ONX on January 9-12, 2026 as part of the Under the Radar Festival.
Read MoreShared spaces are disappearing in today’s fast-paced and urbanizing, algorithmic world. People live close together yet often feel disconnected. How might new technologies, like AI and XR, be used to create spaces where connection can be more meaningfully cultivated? Please join us for an introduction and demo to Inter(mediate) Spaces, an Interactive Extended Reality Installation . The evening will begin with a talk with Berlin-based artist Chloé Lee and creative technologist Lucas Martinic, and will be followed by a Q&A moderated by Jazia Hammoudi. There will be drinks and snacks after, along with the opportunity to try the experience!
Read MoreWhat does it mean to see your own body move in ways you never performed? In film and performance, the body double has long symbolized risk, illusion, and perfection. In Body^n, Ayoung Kim’s commission for the Performa 2025 Biennial, she extends this legacy of the doppelgänger into the digital realm, exploring the invisible labor of bodies as they are captured, replicated, and made unfamiliar through technologies such as motion capture and virtual reality. Presented at Canyon from November 13-15, with co-production by Onassis ONX & Canyon.
Read MoreThe Lumen Prize invites you to the New York launch of The Liminal Review: New Signals in Arts Technologies at Onassis ONX. This inaugural publication, available for download on September 24, charts how artists worldwide are reshaping digital culture, drawing from over 2,200 submissions across 71 countries. Developed in partnership with Sónar+D and supported by Onassis ONX, the Review combines data-driven insights with curatorial perspectives from leading institutions.
Read MoreJoin SculptureCenter and Onassis ONX for Artist's Model, a 40-minute live performance lecture by Sarah Friend that combines a mobile game with a virtual museum tour spanning the past 40,000 years of art history led by an artificial intelligence. Audience interaction will shape the narrative outcome.
Read MoreWith All Due Respect, the annual Onassis ONX Summer Showcase brings together four artworks, including a performance, by ONX members that question our relationship to AI and technology. Using multi-channel video projections, spatial sound, trained LLMs, and EEG readers, each of these developing works pose alternative uses for technology for interaction and storytelling.
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